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Xie Xin – In Satie / The Rite Of Spring

February 21st – 22nd, 2025 Shanghai International Dance Center Theater, Shanghai
August 27th – 28th, 2025 SIDCT, Shanghai
October 1st, 2025 NCPA, Beijing
January 8th – 10th, 2026 Les Gémeaux, Sceaux
January 13th, 2026 SCÈNES VOSGES, Épinal
85 minutes (incl. 15-minute intermission)

Reimagining Satie & Stravinsky in Dance

© Xie Xin Dance Theatre

In Satie / The Rite Of Spring is a double-bill production blending music and dance theater. First initiated in 2021, this world premiere at the Shanghai International Dance Center features the collaboration between Chinese classical musicians and Xie Xin Dance Theatre dancers.

In Satie-The Lightness

This segment features re-arranged versions of Satie’s Gymnopédies and Gnossiennes for piano and vibraphone by Fu Yifei. Choreographer Xie Xin seamlessly integrates musicians as part of the dance ensemble.

The Rite of the Spring-The Rising Road

Based on the original two-piano arrangement, Fu Yifei has re-imagined the orchestral percussion for a version featuring two pianists and two percussionists. Since its 1913 debut, Stravinsky’s monumental score has inspired countless dance productions. Now, Xie Xin—already internationally recognized takes on the challenge of creating a fresh and stunning interpretation of La Sacre du Printemps, performed with this unique instrumental ensemble.

This production promises to be truly one-of-a-kind, showcasing innovative artistry in both music and dance.

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Xie Xin / Imre & Marne van Opstal – Broken Bob

October 18th/25th, November 9th/16th/21st, December 22nd, 2024 Staatstheater Darmstadt, Darmstadt
70 minutes

A Double Bill Creation for Hessisches Staatsballett

© Andreas Etter

After the successful productions Timeless by Xie Xin and I’m afraid to forget your smile by Imre & Marne van Opstal, which was nominated for the DER FAUST 2023 theater prize, the Hessisches Staatsballett combines the dance positions of these currently groundbreaking choreographers for the first time in a double evening in Broken Bob. The marble is created in the earth like the ashes after the fire. In a long transformation, under heat and pressure, its fine lines paint themselves into the stone; tell of the past like the black from the ravages of the flames. Traces decorate and they stick. Hidden deep in the layers of being and buried in the overlay of inner impressions, a broken sense of beauty appears.

Powerful and sublime. Rice paper, gunpowder and six bodies are the ingredients of Xie Xin’s new creation Broken Sense of Beauty. In the piece, the Chinese choreographer deals with a personal tragedy. When dance comes into play, it’s about movement. About movements and their structure. Does this exist outside of the movement that produces it? When structure comes into play, it’s about systems. About systems and their meaning. Does this lie outside of the system that generates it? When meaning comes into play, it’s about people. About people and about Bob. In their new creation I am Bob, Imre & Marne van Opstal explore the effects of patterns in dance. In close connection with music and text, the Dutch siblings create a large choreographic network of identity.