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TNUA to restage Pina Bausch

December 20th – 22nd, 2024 Taipei Performing Arts Center, Taipei
December 27th – 29th, 2024 NPAC Weiwuying, Kaohsiung
January 3rd – 5th, 2025 National Taichung Theater, Taichung
35 minutes

The First Asian Version
of A Western Masterpiece

© 黎宇文

The School of Dance of Tapei National University of the Arts (TNUA) is staging Pina Bausch’s classic work, The Rite of Spring, for its fall production in Taiwan – the first Asian reproduction authorized by the Pina Bausch Foundation.

The reproduction, a highlight of this year’s Kuandu Arts Festival, will take the dance to Taipei, Kaohsiung and Taichung for a total of nine performances running from December 2024 till January 2025.

Made possible after two years of planning by the School of Dance, the restaging of the legendary choreographer’s work will feature TNUA alumnus Yu Tsai-Chin, a dancer from Wuppertal Tanztheater, together with four other dancers who received training under Bausch.

The restaging of The Rite of Spring marks the international recognition of Taiwan’s higher education in dance, particularly the heights that the TNUA School of Dance has reached.

Bausch’s The Rite of Spring premiered in 1975, and has since become a classic in the world of dance.

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Dancing at Dusk – A moment with Pina Bausch’s The Rite of Spring

Till November 29th, 2024 FILM ONLINE
40 minutes

An Iconic Choreography in an Extraordinary Setting

© Polyphem Filmproduktion

In this stunning film, Pina Bausch’s iconic choreography The Rite of Spring is danced in an extraordinary setting, on the beach in Toubab Dialaw, Senegal.

Filmed in 2020 as the world descended into lockdown, it captures the last rehearsal of a specially assembled company of 38 dancers from 14 African countries and documents a unique moment in their preparations for an international tour. A rare opportunity to watch one of the world’s greatest dance works.

Dancing at Dusk was first shown on Sadler’s Wells Digital Stage in July 2020. That year Pina Bausch’s 1975 seminal work, The Rite of Spring, was due to tour the world. Performed by a specially assembled company of 38 dancers from 14 African countries, this international co-production between Sadler’s Wells (UK), Pina Bausch Foundation (Germany), and École des Sables (Senegal), should have opened in March 2020 in Dakar as part of a double-bill with a new work created and performed by Malou Airaudo and Germaine Acogny, common ground[s]. However, just days before the premiere, performances were cancelled as governments around the world banned public gatherings and began shutting their borders due to the Coronavirus pandemic.

Before disbanding and going into lockdown, the company seized the moment by performing a last rehearsal on a beach near their base at École des Sables in Senegal. Filmmaker Florian Heinzen-Ziob and his crew were able to capture this unique moment in a stunning film.

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Echoes of ’78 – Kontakthof

November 26th/27th/29th/30th & December 1st, 2024
Opernhaus Wuppertal, Wuppertal

100 minutes

A New Encounter with Kontakthof

Photo: Ulli Weiss ©Pina Bausch Foundation

Originally premiered in 1978, Kontakthof is a seminal piece in Pina Bausch’s repertoire, created at a time when her work was beginning to receive international recognition.  

It is said that Pina often mused on the idea of seeing her original cast dance the piece when older. Now, 45 years later, a new encounter with Kontakthof is being created by choreographer Meryl Tankard, who was one of the main characters in 1978. 

Eight of the original dancers return to their roles as the production creates a poignant interaction between past and present. Kontakthof – Echoes of ‘78 integrates projections of archival footage from their performances as younger dancers, and with company members no longer on stage.  

Sadler’s Wells, Pina Bausch Foundation and Tanztheater Wuppertal Pina Bausch