Categories
Benelux France

Thomas Lebrun – L’en­vahisse­ment de l’être (danser avec Duras)

January 18th, 2025 Théâtre Francine Vasse, Nantes
January 31st & February 1st, 2025 Les Brigittines, Brussels
March 18th, 2025 La Castélorienne, Montval-sur-Loir
March 25th, 2025 Gallia Théâtre Cinéma, Saintes
March 27 – 28th, 2025 Le Moulin du Roc, Niort
70 minutes

Dance with Marguerite Duras

© Thomas Lebrun / CCNT

Drawing on readings and interviews with the writer archived by the INA, Thomas Lebrun brings a staggering solo performance that defies all categorisation.

Somewhere between embodiment and a personal confession, the phrases intertwine with the movements in a fragility that only serves to exalt the poetry. In this inner journey, the whole landscape of Durassian literature explodes, sometimes with humour, often full of nostalgia, but always with the constant accuracy of what this writing intrinsically holds.

L’envahissement de l’être is a suspended moment that lands on an unexplored and fascinating shore of representation…

Categories
France

Samaa Wakim & Samar Haddad King – Losing It

January 23rd – 24th, 2025 Théâtre Orléans, Orléans
January 31st, 2025 Scène Nationale Aubusson, Aubusson
February 4th, 2025 L’empreinte, Tulle
February 7th – 12th, 2025 Théâtre de la Bastille, Paris
March 28th – 29th, 2025 Points communs, Cergy
April 1st – 2nd, 2025 La Coursive, La Rochelle
April 8th, 2025 Scène nationale du Sud-Aquitain, Saint-Jean-de-Luz
April 15th – 16th, 2025 Théâtre Auditorium de Poitiers, Poitiers
April 18th, 2025 Le Moulin du Roc, Niort
40 minutes

Between Fear and Hope

© Mohab Mohamed

What if you grew up in a war zone? How does that impact your identity?

“Can you still hear the bombs? I can hear them.”

What if you grew up in a war zone? How do you cope as a child when you are exposed to political conflict on a daily basis?

The choreographer and performer Samaa Wakim grew up in the occupied Palestinian territories. During this solo dance performance, she asks herself how these experiences impact her identity. Through movement and sound, she remembers her youth and the imaginary world she created in order to survive. Driven by her own sounds and live music by Samar Haddad King, she goes back and forth between fear and hope, between sounds that used to scare her and sounds that used to bring her comfort.