Tag: Martigues

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France Benelux

Jan Martens – THE DOG DAYS ARE OVER 2.0

  • September 17th – 19th, 2025 Biennale Danse Lyon, Lyon
  • September 24th – 25th, 2025 Theater Rotterdam, Rotterdam
  • October 12th, 2025 Festival Aperto, Reggio Emilia
  • October 23rd – 24th, 2025 SPAF, Seoul
  • November 7th – 9th, 2025 National Theater NPAC-NTCH, Taipei
  • November 20th – 21st, 2025 La Comédie, Valence
  • November 26th – 27th, 2025 La Comédie de Clermont-Ferrand, Clermont-Ferrand
  • December 2nd, 2025 Les Salins, Martigues
  • December 12th – 13th, 2025 TANDEM, Douai
  • January 13th, 2026 Schouwburg Concertzaal, Tilburg
  • January 20th, 2026 Parkstad Limburg Theaters, Heerlen
  • January 21st, 2026 Theater de Veste, Delft
  • January 31st, 2026 Grand Theatre, Groningen
  • February 3rd – 4th, 2026 VIERNULVIER, Ghent
  • February 11th – 12th, 2026 KLAP, Marseille
  • April 2nd – 3rd, 2026 ITA, Amsterdam
  • April 21st, 2026 centre culturel, Hasselt
  • April 22nd, 2026 centre culturel, Sint-Niklaas
  • April 24th – 25th, 2026 De Singel, Antwerp
  • May 5th – 7th, 2026 STUK, Leuven

Duration: unknown

The Dog Days Are Back

© Alwin Poiana

Thanks to its radical choreographic form, THE DOG DAYS ARE OVER revealed the audience’s perception of dancers, choreographers, spectators and the cultural policy at the time. Ten years on, these questions are still very much relevant due to current political and social trends: Where does the thin line between art and entertainment lie? Who are we as an audience when we contemplate the suffering of dancers from the theatre like a bullfight in an arena? Is contemporary dance striptease for the elite? THE DOG DAYS ARE OVER makes the viewer shift in his position: from being merely subjected to the experience to actively reflecting on it.

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Categories
France Mediterranea Benelux DACH region

Peeping Tom – Chroniques

  • June 4th – 6th, 2025 Théâtre National de Nice, Nice
  • June 18th – 20th, 2025 Festival de Marseille, Marseille
  • September 27th – 28th, 2025 I Teatri di Reggio Emilia, Reggio Emilia
  • October 2nd – 4th, 2025 Torinodanza, Turin
  • October 8th – 9th, 2025 Triennale Milano, Milan
  • October 13th – 14th, 2025 Dialog Festival, Wrocław
  • November 14th – 16th, 2025 Anthéa, Antibes
  • November 20th – 21st, 2025 Les Salins, Martigues
  • November 27th – 29th, 2025 Châteauvallon Liberté, Toulon
  • December 5th – 6th, 2025 Le Carré Leon Gaumont, Sainte-Maxime
  • December 9th – 18th, 2025 KVS, Brussels
  • January 23rd – 24th, 2026 Tanz Köln, Cologne
  • March 4th – 6th, 2026 Le Vilar, Louvain-la-Neuve
  • March 20th – 21st, 2026 Teatro Central, Seville
  • March 28th – 29th, 2026 Emilia Romagna Teatro, Caserna
  • April 2nd – 8th, 2026 La Villette, Paris
  • April 14th – 15th, 2026 CSS Udine, Udine
  • April 28th – 30th, 2026 Les Théâtres de la Ville de Luxembourg, Luxembourg
  • June 4th – 14th, 2026 TNC, Barcelona

90 minutes

Peeping Tom’s
Next Chapter

© Sanne De Block

Among the immortal, each act (and each thought) is an echo of those who anticipated it in the past or the faithful omen of those who, in the future, will repeat it to the point of vertigo. – Jorge Luis Borges

Five figures are trapped in a temporal maze, mutating and colliding in an attempt to defy immortality. Their existence takes place in a vast sulfuric landscape, unfolding in a series of chronicles. Is this landscape the ground for new creations, or made out of remnants of what once existed?

Confronted with different laws and physical phenomena, their bodies reveal other behaviors and possibilities of being, without knowing if they are at the twilight or dawn of their existence. We are witnessing a bodily metamorphosis in an abyssal and poetic dimension.

Chroniques unveils the next chapter in Peeping Tom’s universe.

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