Categories
France

Mickaël Le Mer – ENSO – Bolero

November 30th, 2025 Festival de Danse Cannes, Cannes
December 5th, 2025 Théâtre de Villefranche-sur-Saône
December 9th – 10th, 2025 Les Quinconces L’Espal, Le Mans
December 17th – 18th, 2025 Le Grand R, La Roche-sur-Yon
Duration: unknown

Boléro & Hip-Hop

© Thomas Badreau

As a child, Mickaël Le Mer played the film Les Uns et les Autres by Claude Lelouch (1981) on repeat. The scene from Ravel’s Bolero has influenced him ever since. The circle then took up space and would become the marker of this new creation.

Widely present in the world of hip-hop, the circle is the essence of breakdancing and freestyle. It materializes in space, it participates in choreographic constructions. The circle is also present in the body, in the movements of the pelvis. It also figures in societal questions: what is the circle in a group? How does it allow us to identify, to assimilate into a group? And how can it also be a danger for our society?

What does the circle tell us when it is open? What does it tell us when it is closed? What happens when a piece is missing from the circle? What is visible? What is invisible? What does it convey about the spiritual order? What place does it have in rituals?

From the full to the semicircle, from the loop to the ellipse, this new creation, in which dance, scenography, light, and music will be all-encompassing, aspires to capture the essence of this symbolic form.

Categories
France

Ballet Nacional de España / Marcos Morau – Afanador

April 24th – 25th, 2025 Yeulmaru, Yeosu
April 30th – May 1st, 2025 GS Arts Center, Seoul

July 10th – 20th, 2025 Teatro de la Zarzuela, Madrid
September 26th – 27th, 2025 Festspielhaus St. Pölten, St. Pölten
November 5th, 2025 Concertgebouw Brugge, Bruges
November 22nd – 23rd, 2025 Festival de Danse Cannes, Cannes
March 27th – April 2nd, 2026 Théâtre du Châtelet, Paris
100 minutes

The Power of Photography & Choreography

© MERCHE BURGOS

Afanador emerges from the tension between the fascination that emanates from Ruven Afanador’s photos, and my own fascination with all the mystery, so diurnal and yet so nocturnal, that once fascinated Ruven.

Marcos Morau

Ruven Afanador’s photography is not documentary or monumental—it doesn’t archive history or glorify its subjects. Instead, it is driven by desire, distorting and being distorted by its object. Desire, elusive by nature, shapes what it sees, revealing subjective and profound truths.

Afanador approaches Andalusian folklore through this lens, exposing flamenco’s raw subconscious—its passion, death, and untold stories. His work amplifies its essence into a surreal, evocative world of shadow and light, where he both observes and is observed.

Our work extends this vision, capturing Afanador’s gaze and the transformative power of photography. Like Goya’s Caprichos, these images blend familiar themes through association and metamorphosis, turning photography into both miracle and mystery. Each shot lingers just beyond reach, on the verge of vanishing into its own fire.

Categories
Archive

Yabin Wang – Journey to the West

December 8th, 2024 Gare du Midi, Biarritz
December 10th, 2024 Le Théâtre Olympia, Arcachon
December 14th, 2024 Le Palais des Festivals et des Congrès, Cannes

85 minutes

Yabin Wang Is Back to France with Her Latest Creation

© Tasu

Yabin Wang first traveled the world as a dancer before becoming a prolific choreographer, subtly blending various styles of traditional Chinese dance with contemporary dance techniques.

For Journey to the West, which draws its inspiration from a great classic of Chinese literature, she collaborated with French composer Laurent Petitgirard, whose symphonic music inspired her to create a journey with cinematic aspects of breathtaking beauty.

At the crossroads of East and West, the choreographer breaks boundaries through the language of the body to capture the essence of the original work: a quest for spirituality.