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Marco da Silva Ferreira & João Pais Filipe – Terra Cobre

December 14th, 2024 Concertgebouw Bruges, Bruges
50 minutes

Sound, Noise and Silence

© Bruno Simao

Cowbells were declared an Urgent Heritage Safeguard by UNESCO in 2015. In Terra Cobre, the artists challenge traditional Portuguese iconography and symbolism, placing it in an exploratory and sensory context.

The work consists of a sculptural and sonic installation and a 50-minute performance, performed by Marco and João at the beginning or end of the installation. The installation serves as a backdrop for the performance and contributes to the atmospheric and performative narrative.

Marco and João, collaborating for CARCAÇA , explore concepts of identity, culture and society; reinterpreting ancient cultural heritage and challenging established conventions. They use cowbells to create a sculptural, sonic and physical composition that depicts a landscape full of memories where shepherds and animals come together.

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Mediterranea Benelux DACH region

Wim Vandekeybus – VOID

October 23rd – 31st, 2024 KVS, Brussels
November 8th – 9th, 2024 Pumpenhaus, Münster
December 18th, 2024 CCHA, Hasselt
January 16th, 2025 Teatro Bonci, Cesena
January 18th, 2025 Teatro Storchi, Modena
January 31st, 2025 Cultuurcentrum De Schakel, Waregem
Feburary 27th, 2025 Cultuurcentrum Brugge, Brugge
March 15th, 2025 Posthof, Linz
60 minutes

The Unstoppable Ultima Vez

© Danny Willems

In this new creation, Vandekeybus embraces the void – even more so – he seeks it out. He starts anew, goes back to square one, taking the simple emptiness as a starting point to arrive at a new form of awareness. He not only seeks to feel existence, life, in a different way, but also aims to add a new way of valuing the performance. By looking differently, within complete simplicity.

“Enlarging by emptying” sounds contradictory but works in a simple way: an empty room seems bigger than a full one. True essence demands throwing off all ballast. An emptiness filled with elusive dignity. Bodies attracting each other like minerals and magnets. Movement as expression of the deepest inner state… An emptiness that offers countless possibilities to be filled…

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Jan Martens – VOICE NOISE

September 24th – 28th, 2024 charleroi danse / la raffinerie, Brussels
October 12th – 13th, 2024 Teatro Argentina, Rome
October 17th – 19th, 2024 mercat de les flors, Barcelona
November 6th, 2024 Theater Rotterdam, Rotterdam
November 19th – 23th, 2024 Théâtre de la Ville, Paris
December 11th, 2024 Concertgebouw Brugge, Brugge
December 14th, 2024 Leietheater, Deinze
90 minutes

The Gender of Sound

© Phile Deprez

On a selection of thirteen tracks by women, his dance spares us the illustration. Instead, it acts as a filter to enhance our listening experience.

Léa Poiré

‘Redundant.’ Or more bluntly: ‘Irritating noise.’ This is how the voice of the woman has often been considered from ancient Greek times to today.

VOICE NOISE is inspired by Anne Carson’s essay ‘The Gender of Sound’ (1992), in which she exposes how patriarchal culture has sought to silence women by ideologically associating women’s sound with monstrosity, disorder and death.

In VOICE NOISE, some innovative, unknown and/or forgotten women’s voices from the past hundred years of music history are given a stage. By doing so, Jan Martens takes another step in his efforts to shape an alternative canon.

Six dancers respond to recordings in which the human voice can be heard in various guises: humming, soothing, shrieking, whispering, singing. Gradually, they discover their own voice.

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