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Jan Martens for Carte Blanche – CANCEL BERTHA

May 22nd – 31st, 2025 Carte Blanche Studio, Bergen
September 18th, 2025 Stavanger Concert Hall, Stavanger
October 3rd, 2025 Biennale de Charleroi Danse, Charleroi
October 22nd – 26th, 2025 Dansens Hus, Oslo
November 12th – 13th, 2025 Bora Bora, Århus
75 minutes

Jan Martens’ Debut with Carte Blanche

© Øystein Haara

CANCEL BERTHA moves to its own rhythm- a playful blend of energy, curated chaos, and unexpected creativity. The performance reflects Jan Martens’ signature approach: reimagining dance as a space for individuality, connection, and subtle humor. Scenes flow seamlessly from one moment to the next, blurring the boundaries between moments of ecstatic group energy and sequences of suspended intimacy.

In CANCEL BERTHA, music isn’t always what you hear—it’s what you see and feel. True to Martens’ fascination with rhythm, structure, and music scores, the dancers’ movements become their own soundscape. Silence holds as much weight as motion, and patterns emerge with geometry in delightful ways.

CANCEL BERTHA is bold without being brash, playful, yet precise. It’s a dense dance evening that draws inspiration from polyrhythms and a love for layered storytelling. The Carte Blanche ensemble crafts a performance that balances the poppy, the avant-garde, and the deeply human.

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Ingrid Berger Myhre – No Dreams, No Gold

February 14th – 15th, 2025 Rosendal Teater, Trondheim
February 21st – 22nd, 2025 BIT Teatergarasjen, Bergen
May 2nd, 2025 Korzo Theater, The Hague
May 16th , 2025 Bellevue Theater, Amsterdam
October 2nd – 4th, 2025 Dansens Hus, Oslo
October 15th, 2025 Regional Arena for Samtidsdans, Sandnes
60 minutes

A Duet with Warmth
and Humor

© Kim Jakobsen To

Lasse is a composer and a musician. Ingrid is a choreographer and a dancer. Their collaboration is often about finding new ways to articulate a working situation: where both operate as equal players, without having to be the same.

Ingrid and Lasse have different experience and perspective, but share the space of negotiation that arise when meeting in the periphery of their own expertise. Their friendship is an intrinsic part of their artistic material, which they give the audience generous access to. Their work is highly personal yet down to earth.

In 2019 Ingrid and Lasse made the performance Panflutes and Paperwork. Since the premiere at Theater Rotterdam it has been shown all over Europe. No Dreams, No Gold is their next stage production, in which they continue to contemplate the conventions of music and dance with warmth and humor.