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France

Mickaël Le Mer – ENSO – Bolero

November 30th, 2025 Festival de Danse Cannes, Cannes
December 5th, 2025 Théâtre de Villefranche-sur-Saône
December 9th – 10th, 2025 Les Quinconces L’Espal, Le Mans

December 17th – 18th, 2025 Le Grand R, La Roche-sur-Yon
January 9th, Théâtre Pierre Barouh, Les Herbiers
January 17th, L’Olympia, Arcachon

Duration: unknown

Boléro & Hip-Hop

© Thomas Badreau

As a child, Mickaël Le Mer played the film Les Uns et les Autres by Claude Lelouch (1981) on repeat. The scene from Ravel’s Bolero has influenced him ever since. The circle then took up space and would become the marker of this new creation.

Widely present in the world of hip-hop, the circle is the essence of breakdancing and freestyle. It materializes in space, it participates in choreographic constructions. The circle is also present in the body, in the movements of the pelvis. It also figures in societal questions: what is the circle in a group? How does it allow us to identify, to assimilate into a group? And how can it also be a danger for our society?

What does the circle tell us when it is open? What does it tell us when it is closed? What happens when a piece is missing from the circle? What is visible? What is invisible? What does it convey about the spiritual order? What place does it have in rituals?

From the full to the semicircle, from the loop to the ellipse, this new creation, in which dance, scenography, light, and music will be all-encompassing, aspires to capture the essence of this symbolic form.

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Archive

São Paulo City Ballet 2025 Euro Tour

  • September 18th, 2025 Cadances Festival, Arcachon
  • September 23rd – 27th, 2025 Théâtre de la Ville, Paris
  • October 2nd – 3rd, 2025 La Comédie, Clermont-Ferrand
  • October 8th – 9th, 2025 Château Rouge, Annemasse
  • October 15th – 19th, 2025 Maison de la Danse, Lyon

Double bill (Fôlego + Boca Abissal / Réquiem SP)

Discover Brazilian Choreography

© Stig de Lavor

The São Paulo City Ballet presents a European tour with remarkable choreographies such as ‘Boca Abissal’, ‘Fôlego’ and ‘Réquiem SP’, signed by renowned Rafaela Sahyoun and Alejandro Ahmed.

Rafaela Sahyoun

Rafaela Sahyoun is a Latin American dance artist from São Paulo, currently based between Brazil and Portugal. She spirals through the intertwined roles of being a dancer, a young choreographer, and a teacher. She is fascinated by the ever-evolving landscape of performative practices, community, and context. She dedicates herself to artistic and pedagogical projects that unfold and shape-shift continuously through ongoing research and shared practices.

Actively collaborating with artists, researchers, students, and art institutions in Brazil and abroad, she has a strong inclination toward hybrid formats of collaboration in dialogues with multidisciplinary disciplines. Her most recent choreographic work, Fôlego (2022), was commissioned by São Paulo City Ballet (Balé da Cidade de São Paulo, BCSP) in partnership with São Paulo Cultural Centre (Centro Cultural de São Paulo, CCSP) and had its 2023 season at São Paulo Municipal Theatre (Theatro Municipal de São Paulo).

Alejandro Ahmed

Winner of three APCA (São Paulo Association of Art Critics) awards, as well as the Funarte Petrobras Dance Promotion Award, Bravo! Prime Award for Culture, and the Sergio Motta Art and Technology Award, Alejandro Ahmed is one of the most important choreographers in contemporary Brazilian dance. Born in Montevideo, Uruguay, he moved with his family to Florianópolis, Brazil, at the age of three, where he began dancing at just twelve.

As a guest of the São Paulo City Ballet in 2022, he conceived and choreographed a piece by the American avant-garde composer John Cage, written in the early 1990s, resulting in the performance “Sixty Eight in Axys Atlas.” Alejandro Ahmed now returns to his partnership with the São Paulo Municipal Ballet, this time as artistic director of the São Paulo City Ballet.

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Archive

Yabin Wang – Journey to the West

December 8th, 2024 Gare du Midi, Biarritz
December 10th, 2024 Le Théâtre Olympia, Arcachon
December 14th, 2024 Le Palais des Festivals et des Congrès, Cannes

85 minutes

Yabin Wang Is Back to France with Her Latest Creation

© Tasu

Yabin Wang first traveled the world as a dancer before becoming a prolific choreographer, subtly blending various styles of traditional Chinese dance with contemporary dance techniques.

For Journey to the West, which draws its inspiration from a great classic of Chinese literature, she collaborated with French composer Laurent Petitgirard, whose symphonic music inspired her to create a journey with cinematic aspects of breathtaking beauty.

At the crossroads of East and West, the choreographer breaks boundaries through the language of the body to capture the essence of the original work: a quest for spirituality.