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France Benelux

Jan Martens – THE DOG DAYS ARE OVER 2.0

  • September 17th – 19th, 2025 Biennale Danse Lyon, Lyon
  • September 24th – 25th, 2025 Theater Rotterdam, Rotterdam
  • October 12th, 2025 Festival Aperto, Reggio Emilia
  • October 23rd – 24th, 2025 SPAF, Seoul
  • November 7th – 9th, 2025 National Theater NPAC-NTCH, Taipei
  • November 20th – 21st, 2025 La Comédie, Valence
  • November 26th – 27th, 2025 La Comédie de Clermont-Ferrand, Clermont-Ferrand
  • December 2nd, 2025 Les Salins, Martigues
  • December 12th – 13th, 2025 TANDEM, Douai
  • January 13th, 2026 Schouwburg Concertzaal, Tilburg
  • January 20th, 2026 Parkstad Limburg Theaters, Heerlen
  • January 21st, 2026 Theater de Veste, Delft
  • January 31st, 2026 Grand Theatre, Groningen
  • February 3rd – 4th, 2026 VIERNULVIER, Ghent
  • February 11th – 12th, 2026 KLAP, Marseille
  • April 2nd – 3rd, 2026 ITA, Amsterdam
  • April 21st, 2026 centre culturel, Hasselt
  • April 22nd, 2026 centre culturel, Sint-Niklaas
  • April 24th – 25th, 2026 De Singel, Antwerp
  • May 5th – 7th, 2026 STUK, Leuven

Duration: unknown

The Dog Days Are Back

© Alwin Poiana

Thanks to its radical choreographic form, THE DOG DAYS ARE OVER revealed the audience’s perception of dancers, choreographers, spectators and the cultural policy at the time. Ten years on, these questions are still very much relevant due to current political and social trends: Where does the thin line between art and entertainment lie? Who are we as an audience when we contemplate the suffering of dancers from the theatre like a bullfight in an arena? Is contemporary dance striptease for the elite? THE DOG DAYS ARE OVER makes the viewer shift in his position: from being merely subjected to the experience to actively reflecting on it.

Categories
Benelux

Radouan Mriziga – Magec / the Desert

  • August 21st – 23rd, 2025 Tanz Im August, Berlin
  • October 3rd – 5th, 2025 Dream City Festival, Tunis
  • October 9th – 10th, 2025 Culturescapes, Basel
  • October 15th – 18th, 2025 Festival d’Automne, Paris
  • October 28th – 29th, 2025 Théâtre de Vidy, Lausanne
  • October 31st, 2025  Kurtheater, Baden
  • February 6th – 7th, 2026 De Singel, Antwerp

70 minutes

A Polyphony of Perspectives

© Louka Van Roy

Magec / the Desert is the second part of a new trilogy by Radouan Mriziga, inspired by mythological stories from the Amazigh culture, and in particular those who have a close relationship with the Atlas Mountains in North Africa, in terms of spirituality, art, philosophy, craft, and science.

In his work, Mriziga continues his practice of collective creation, where rhythm, text, movement, and sound become interwoven through the contributions of his collaborators. The choreography unfolds as a polyphony of perspectives, where individual experiences intersect to form a shared, multifaceted vision. Like the layered textures of the desert, the performance resists singularity, instead offering a complexity that is at once intellectual and deeply sensory.

Categories
France

Amir Sabra & Ata Khatab – Badke(remix)

  • June 11th – 13th, 2025 KVS, Brussels
  • September 19th, 2025 De Brakke Grond, Amsterdam
  • September 24th – 25th, 2025 VIERNULVIER, Ghent
  • September 26th, 2025 De Spil, Roeselare
  • October 1st, 2025 Concertgebouw Brugge, Bruges
  • October 18th – 19th, 2025 Dream City Festival, Tunis
  • November 11th, 2025 EXPORT/IMPORT FESTIVAL, Brussels
  • November 15th, 2025 Toneelhuis, Antwerp
  • May 19th, 2026 Pole-Sud, Strasbourg
  • May 21st, 2026 Espace 1789, Saint-Ouen
  • May 22nd – 23rd, 2026 MC93, Bobigny

75 minutes

A Different Image of Palestine

© Kurt Van der Elst

Badke(remix) is a remake of the dance performance created by Koen Augustijnen, Rosalba Torres and Hildegard De Vuyst. With 10 Palestinian dancers, Badke toured worldwide between 2013 and 2016. The reissue of Badke is now artistically in Palestinian hands, namely Amir Sabra and Ata Khatab, and becomes Badke(remix).

The title is a conscious reversal of dabke, the name of the Palestinian folk dance and the starting point of the performance. With backgrounds in traditional dabke, contemporary dance, hip-hop, capoeira or circus, the Palestinian performers bring a contemporary version of this dance traditionally reserved for (wedding) parties. Badke(remix) displays a zest for life and passion for dancing as a form of resistance.

Categories
Benelux

Lia Rodrigues – Borda

  • May 28th – 31st, 2025 Kunstenfestivaldesarts, Brussels
  • June 3rd – 4th, 2025 PACT Zollverein, Essen
  • June 7th – 8th, 2025 One Dance Festival, Plovdiv
  • June 16th – 17th, 2025 MUFFATWERK, Munich
  • June 20th – 21st, 2025 WIENER FESTWOCHEN, Vienna
  • July 10th – 12th, 2025 Julidans, Amsterdam
  • August 27th – 28th, 2025 Tanz im August, Berlin
  • September 6th & 8th, 2025 Biennale Danse Lyon, Lyon
  • September 12th – 17th, 2025 Centquatre-Paris, Paris
  • September 19th – 21st, 2025 Théâtre Chaillot, Paris
  • September 24th, 2025 L’Azimut, Antony | Châtenay-Malabry
  • October 10th – 11th, 2025 Romaeuropa Festival, Rome
  • May 22nd – 23rd, 2026 DE SINGEL, Antwerp

60 minutes

Comfort and Hope

© Sammi Landweer

Borda in Portuguese refers to embroidery, decoration, but also to a border, the periphery, something that separates. Geographical and political borders create contradictions: hospitality and hostility, native and non-native. Who belongs and who is excluded, who has a right to exist? Metaphorically, the word ‘borda’ also means imagination, the ability to cross borders, to transcend.

With a new generation of dancers, choreographer Lia Rodrigues weaves a porous embroidery of liquid otherness, with edges that fray, float and dance. In her signature style, starting from the energy of the collective and using simple materials like textiles and plastic, she creates a unique ballet between bodies and matter whose recipe only Rodrigues seems to know. Bodies clump together into constellations, form masses and separate again. With great care, what was separated is brought back together. The result is a succession of powerful images and colourful tableaux. 

Rodrigues, after the savoured large-venue productions Fúria and Encantado, once again blankets us in comfort and hope.

Categories
DACH region

William Forsythe – UNDERTAINMENT

May 23rd – 31st, 2025 Hellerau, Dresden
June 5th – 8th, 2025 Schauspiel Frankfurt, Frankfurt
June 13th – 15th, 2025 De Singel, Antwerp
June 27th, 2025 Theater Freiburg, Freiburg
July 7th – 8th, 2025 Julidans, Amsterdam

September 9th – 10th, 2025 Auditorium Conciliazione, Rome
September 21st – 22nd, 2025 Biennale Danse Lyon, Lyon
October 4th, 2025 Aperto Festival, Reggio Emilia
November 13th – 15th, 2025 Mercat de les Flors, Barcelona
December 4th – 6th, 2025 Kampnagel, Hamburg
Duration: unknown

Double bill with another program

Forsythe Returns to Frankfurt

© Dominik Mentzos

This is a full circle moment. William Forsythe is regarded as one of the most important choreographers of the late 20th century. His innovative approach to the tradition of ballet has opened up directions for dance that would otherwise be difficult to imagine. From 1984 to 2004, Forsythe directed the Ballett Frankfurt and from 2005 to 2015 The Forsythe Company, which was later renamed Dresden Frankfurt Dance Company.

Forsythe is now returning to the place of this legacy of many years and is developing a new work with the company for the first time. Starting from a toolbox of improvisational construction, he creates a structural order which, instead of signifying something else, offers an aesthetic pleasure in itself. Like in a kaleidoscope, patterns emerge that are always unpredictable and surprising yet within a clear framework. The dancers explore the movement system that they themselves form to its limits. The audience is invited to follow this exploration and experience the work as a living, breathing system.

Categories
DACH region Benelux France

Damien Jalet & Kohei Nawa – Mirage for the Ballet du GTG

May 6th – 11th, 2025 Grand Théâtre de Genève, Geneva
June 5th – 7th, 2025 Kampnagel, Hamburg
January 14th – 17th, 2026 Maison de la Danse, Lyon
January 24th, 2026 Festspielhaus St. Pölten, St. Pölten
June 11th – 14th, 2026 De Singel, Antwerp
65 minutes

A Dream of Atmospheric Phenomena

© Gregory Batardon

With Mirage, Damien Jalet offers his very first creation for the Ballet du Grand Théâtre, where he has been an associate artist since 2022. Mirage also constitutes the fourth chapter of his collaboration with Japanese visual artist Kohei Nawa.

Inspired by the phenomenon of mirages and Fata Morgana – optical illusions linked to specific meteorological conditions, caused by light being distorted as it passes through different- temperature layers of air – Damien Jalet and Kohei Nawa depict humanity wandering in a metaphorical desert in search of itself.

Through a series of unpredictable transformations inspired by different mythologies, climatology, botany and entomology, as well as Hayagawari – a Japanese kabuki theatre technique in which performers suddenly transform during a performance –, the piece peels back the performers, layer after layer, exploring an endless variety of physical and emotional states.

Sometimes evoking the spectres of a civilization at the edge of a dry well, sometimes crossed with the dazzling colours and sensuality of tropical nature, Mirage passes through like a moving, fluctuating, waking dream of atmospheric phenomena.

Categories
Archive

Nicole Beutler – NOW WE ARE EARTH

  • April 25th – 27th, 2025 Opera Ballet Vlaanderen, Antwerp
  • May 27th, 2025 O. Festival, Rotterdam
  • July 8th – 9th, 2025 Julidans Festival, Amsterdam
  • September 15th, 2025 tadsschouwburg Utrecht, Utrecht
  • September 21st, 2025 SPOT, Groningen
  • September 24th – 25th, 2025 Het Nationale Theater, The Hague
  • September 26th, 2025 Chassé Theater, Breda
  • September 27th, 2025 Park Theater, Eindhoven
  • October 1st, 2025 Stadsschouwburg de Harmonie, Leeuwarden
  • October 7th, 2025 Stadsschouwburg Haarlem, Haarlem
  • October 9th, 2025 Nederlandse Dansdagen, Maastricht
  • October 11th, 2025 Schouwburg Hengelo, Hengelo
  • November 1st, 2025 Leidse Schouwburg, Leiden
  • November 5th, 2025 Musis & Stads Theater, Arnhem
  • November 30th, 2025 De Meervaart, Amsterdam

100 minutes

An Eco-Futuristic Symphony

© Reinout Bos

NOW WE ARE EARTH is a grand future vision of choreographer and theater maker Nicole Beutler. Music, dance, choir, and audience unite in this eco-futuristic symphony, creating a sense of greater harmony. With 8 dancers and singers, accompanied by a city choir of 45 voices, this 100-minute piece becomes a vibrant convergence of sound and movement, offering a glimpse into a dream of a possible future.

The piece explores the theme of interconnectedness, seeking balance across five realms: animals, humans, plants, fungi, and technology.

NOW WE ARE EARTH promises to be a total artwork, a dance opera featuring a local city choir, with a key role for the audience. Drawing inspiration from the intricate, interconnected threads of a mycelium, the performers weave a multi-layered, resonating tapestry of colors and sounds, unfolding in endlessly branching and repeating patterns.


Categories
Benelux

Sidi Larbi Cherkaoui – Ihsane

November 13th – 19th, 2024 Grand Théâtre de Genève, Geneva
January 18th – 19th, 2025 Staatenhaus, Cologne
January 24th, 2025 Festspielhaus St. Pölten, St. Pölten
March 30th – April 6th, 2025 Théâtre du Châtelet, Paris
October 2nd – 4th, 2025 Danse Danse, Montreal
December 12th – 17th, 2025 De Singel, Antwerp
Duration: 90 minutes

Part II of Cherkaoui’s Diptych for His Parents

© GREGORY BATARDON

In Arabic, the word Ihsane represents an ideal of goodness, kindness and benevolence. In Islam, it refers to a form of communion with the universe. With Ihsane, Sidi Larbi Cherkaoui continues a diptych begun within his Eastman company with Vlaemsch (chez moi), in 2022. While Vlaemsch was dedicated to his mother and his Flemish roots, Ihsane explores his relationship with his father, who left Morocco for Flanders, emigrating but always retaining – despite leaving – an unconditional love for his home country. Sidi Larbi Cherkaoui was still a teenager when his father died. Thirty years later, he searched for him in vain in a Tangier cemetery too full of graves. He continues to search for him through this creation bringing together dancers from the Ballet du Grand Théâtre de Genève and Eastman. 

But in Belgium, Ihsane is also associated with a racist and homophobic crime that took place in Liège in 2012: a young homosexual man of 32, of Moroccan origin, beaten to death outside a nightclub. As someone who himself identifies as an artist, a queer and an Arab, Sidi Larbi Cherkaoui identifies with and pays tribute to him through this production which revisits his family story. Ihsane is a journey towards the quest for inner peace, and the attempt to transcend conflict, abandonment and forgetting. Sidi Larbi Cherkaoui dances the questions that obsess him: what do we have left when our place slips away and fades? How can multiple identities coexist in the same body?

As ever, the choreographer has assembled a unique artistic team, reflecting the effervescence and artistic vitality of this region of the world to which Sidi Larbi Cherkaoui is linked through his ancestors. Tunisian musician and viola d’amore virtuoso, Jasser Haj Youssef, will compose the music and perform it onstage with Moroccan singer Mohammed el Arabi Serghini and Lebanese singer Fadia Tomb El-Hage. Stage design will be from visual artist Amine Amharech, who creates sensory and sensitive spaces into which Moroccan influences are often melded, while costumes are by fashion designer Amine Bendriouich, who elevates traditional forms of Berber clothing beyond norms and gender.

With Ihsane, Sidi Larbi Cherkaoui watches the world change in a never-ending cycle of destruction and rebirth. He is wary of cultures when they imprison and separate individuals. He prefers geography in the making, ever-changing landscapes, and the shared space where we coexist. In this space, he reveals the invisible threads that connect us to each other.

Categories
Archive

Nastaran Razawi Khorasani – This Is not a Dance

September 13th – 14th, 2024 Theater Bellevue, Amsterdam
September 17th, 2024 Theater Kikker, Utrecht
September 20th, 2024 Theater a/h Spui, The Hague
September 27th – 28th, 2024 De Singel, Antwerp
October 4th, 2024 Grand Theatre, Groningen
October 8th – 9th, 2024 Theater Rotterdam, Rotterdam
October 29th – 3oth, 2024 Frascati, Amsterdam

November 4th, 2024 Teater Luwes, Jakarta
60 minutes

About Dance and Censorship

© Bas de Brouwer

This is not a dance forces you to reflect on the foundations of dance, in definition and effect.

Iris Spanbroek

In Iran, dancing has been officially prohibited since the start of the Islamitic Revolution. All dance companies have been forced to cease their activities. Many dancers and choreographers have fled abroad. Those who still live there have to be very resourceful. How are they keeping their art form alive? Theatre maker Nastaran Razawi Khorasani presents the performance This is not a dance a dance performance that deals with censorship. What can be shown, what must remain hidden? As the music and lights build towards a frenzy, Nastaran attempts to keep her dancing body in check.