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Ballet Nacional de España / Marcos Morau – Afanador

Till July 23th, 2025 FILM ONLINE
100 minutes

The Power of Photography & Choreography

© MERCHE BURGOS

Afanador emerges from the tension between the fascination that emanates from Ruven Afanador’s photos, and my own fascination with all the mystery, so diurnal and yet so nocturnal, that once fascinated Ruven.

Marcos Morau

Ruven Afanador’s photography is not documentary or monumental—it doesn’t archive history or glorify its subjects. Instead, it is driven by desire, distorting and being distorted by its object. Desire, elusive by nature, shapes what it sees, revealing subjective and profound truths.

Afanador approaches Andalusian folklore through this lens, exposing flamenco’s raw subconscious—its passion, death, and untold stories. His work amplifies its essence into a surreal, evocative world of shadow and light, where he both observes and is observed.

Our work extends this vision, capturing Afanador’s gaze and the transformative power of photography. Like Goya’s Caprichos, these images blend familiar themes through association and metamorphosis, turning photography into both miracle and mystery. Each shot lingers just beyond reach, on the verge of vanishing into its own fire.

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Swan Lakes

MARQUEE TV
71 minutes

Swan Lakes in a Different Way

© Jeannette Bak

Watch three bite-sized performances inspired by Tchaikovsky’s iconic Swan lake.

Choreographer Eric Gauthier asked star choreographers Hofesh Shechter, Cayetano Soto, and Marco Goecke tending to take a single aspect or idea from the classic swan lake and transform it into something completely unique. There are no swans or white tutus here. Instead, each piece is a new and exciting creation.

Hofesh Schechter’s Swan Cake is a burst of energy featuring 8 dancers in constant motion.

Cayetano Soto’s Untitled for 7 Dancers is a moody exploration of transformation set to an electro-score by the young composer and cellist Peter Gregson.

Marco Goecke’s Shara Nur was inspired by a lake in Russia whose water is rumored to turn the body red after a swim.

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Dancing at Dusk – A moment with Pina Bausch’s The Rite of Spring

Till November 29th, 2024 FILM ONLINE
40 minutes

An Iconic Choreography in an Extraordinary Setting

© Polyphem Filmproduktion

In this stunning film, Pina Bausch’s iconic choreography The Rite of Spring is danced in an extraordinary setting, on the beach in Toubab Dialaw, Senegal.

Filmed in 2020 as the world descended into lockdown, it captures the last rehearsal of a specially assembled company of 38 dancers from 14 African countries and documents a unique moment in their preparations for an international tour. A rare opportunity to watch one of the world’s greatest dance works.

Dancing at Dusk was first shown on Sadler’s Wells Digital Stage in July 2020. That year Pina Bausch’s 1975 seminal work, The Rite of Spring, was due to tour the world. Performed by a specially assembled company of 38 dancers from 14 African countries, this international co-production between Sadler’s Wells (UK), Pina Bausch Foundation (Germany), and École des Sables (Senegal), should have opened in March 2020 in Dakar as part of a double-bill with a new work created and performed by Malou Airaudo and Germaine Acogny, common ground[s]. However, just days before the premiere, performances were cancelled as governments around the world banned public gatherings and began shutting their borders due to the Coronavirus pandemic.

Before disbanding and going into lockdown, the company seized the moment by performing a last rehearsal on a beach near their base at École des Sables in Senegal. Filmmaker Florian Heinzen-Ziob and his crew were able to capture this unique moment in a stunning film.

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Lea Anderson – The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele

October 9th – 31st, 2024 FILM ONLINE
53 minutes

Digital Live Talk with Lea Anderson on October 15th

Dance Based on
the Work of Egon Schiele

© Pau Ros

Many years ago, when leafing through the books in the Arnolfini bookshop, choreographer Lea Anderson discovered the work of Austrian expressionist painter, Egon Schiele. Lea was taken by the possibility of seeing Schiele’s framing of the repeated figures in the reproduction of his sketchbooks, as a system for writing dance. What resulted from this intrigue was a full misconstruction of dances, imagining Schiele as a choreographer whose dances had been lost. 

Originally created in 1998 as a live work, it was remade as a film in 2010 in collaboration with Deborah May of Kinoki and with new music by Steve Blake and Will Saunders. The film has never been publicly aired and will be a world premiere for Dance Umbrella 2024.

Lea Anderson is a celebrated dance choreographer, filmmaker and artistic director. Her iconic dance company The Cholmondeleys is celebrating its 40th anniversary this year and its brother company, The Featherstonehaughs is not far behind. Lea makes groundbreaking theatre work and films, was awarded an MBE in 2002 and was given an honorary doctorate of arts from Dartington College of Arts in 2006. 

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Christos Papadopoulos – Ties Unseen

September 26th – 28th, 2024 LIVE STREAMS

Part of NDT 1 Program “Architecture of the Invisible” with revisit of Jiří Kylián’s Vanishing Twin (2008) and Clowns by Hofesh Shechter (2016).

A Minimalist NDT

© Nederlands Dans Theater

Christos Papadopoulos’ new work explores our subtle, everyday social connections, revealing the beauty within the most profound connections that often go unnoticed. Drawing from the unadorned fabric of the human experience, the choreographer illustrates the simplicity of shared moments: the unspoken understanding between friends, silent nods of solidarity among strangers, and the quiet resilience threaded through collective struggles.

A new voice for NDT, the Greek-born choreographer favours a minimalist and precise language of movement. Through small gestures that belie an intense physicality, Papadopoulos has created an ode to the power of invisible forces and transports the audience to a mysterious space in which there is neither beginning nor end.

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