Categories
France

Alain Platel – Out of Context – for Pina

April 7th – 9th, 2025, Centquatre-Paris, Paris
85 minutes

A 2010 Masterpiece

© Christophe Raynaud de Lage

In Out Of Context, director Alain Platel continues his search for a language of movement connected to the unconscious, the arbitrary, the uncontrolled.

The movement material covers the entire range of dyskinesia and dystonia, in other words: spasms, convulsions, tics. These can be very small mouth movements, teeth chattering, sticking out the tongue, eyes blinking, frowning, grimacing, moving the fingers as though they are playing the piano, briefly jerking the limbs, torso, pelvis or head, jolting the abdomen or diaphragm, balance impairment, falling over and a whole repertoire of silly walks.

Small tics swiftly alternate with big swings. Restlessly and nervously. Platel has long resisted the label ‘choreographer’, but still arrives at this term in another way. ‘Chorea’ is a medical term referring to an affected nervous system, the symptoms of which are jerky movements and poor coordination.

Ultimately, Platel goes back to his past as a special needs educator working with children with motor and multiple disabilities where he discovered the beauty of the malformed, the emotional power of the misshapen.

Extracted text written by Hildegard De Vuyst, Dramaturge (January 2010)

Categories
France

Hoghe+Schulte & Emmanuel Eggermont – SIMPLE THINGS

March 25th – 26th, 2025 Festival Le Grand Bain, Roubaix
June 18th – 19th, 2025 Festival Camping CND/Maison de la Danse, Lyon
80 minutes

The Beauty of
Simple Things

© Rosa Frank

In over 30 years of creation, Raimund Hoghe has never ceased to transcend the beauty of simple things. Ornella Balestra, Takashi Ueno, Emmanuel Eggermont and Luca Giacomo Schulte, who have worked closely with the choreographer, revisit these materials to share the themes that are dear to Raimund Hoghe, the great classics (Ravel’s Bolero, Swan Lake…) and more topical subjects such as the migrant crisis… Rather than melancholy, Simple Things opens up a privileged path of access to this artistic universe that is as singular as it is necessary.

Categories
Benelux France

Simone Mousset & M. Chevalier – The Great Chevalier

March 7th, 2025 Festival ARTDANTHE, Vanves
April 2nd – 4th, 2025 TROIS C-L, Luxembourg
May 25th, 2025 Abbaye de Royaumont, Asnières-sur-Oise
May 30th – June 1st, 2025 Villa Vauban, Luxembourg
July 5th – 24th, 2025 Festival d’Avignon, Avignon
Duration: unknown

The Enfant Terrible of Contemporary Folk Dance

© Thierry Claude

Universally hailed as the enfant terrible of contemporary folk dance, Mr Chevalier is the Ballet National Folklorique du Luxembourg’s flamboyant new artistic director – and together with his co-director Simone Mousset he will come to you for the first time with an exclusive solo tour! Renowned in dance industry for his expertise, bold artistic vision, and magnetic stage presence, Mr Chevalier will tour the world and pay tribute to all the venues that have contributed to the success of the Ballet National Folklorique du Luxembourg in the past. 

The Great Chevalier Tour coincides with the 50 year anniversary of the company’s most famous ballet, Josiane, the Country Girl, and on his various appearances, Mr Chevalier will perform among others the iconic Pigeon Dance, an emblematic classic from Josiane, the Country Girl. An unsurpassed expert in the field, Mr Chevalier will respond to the particular histories that link each venue with the Ballet National Folklorique du Luxembourg’s past, and audiences can expect to discover his unique blend of charisma and virtuosity as they are invited into these shared histories and the Ballet National Folklorique du Luxembourg’s rich cultural heritage.

Categories
Scandinavia UK/Ireland Benelux France DACH region

Crystal Pite & Simon McBurney – Figures in Extinction for NDT

  • February 19th – 22nd, 2025 Aviva Studios, Manchester
  • February 26th – March 1st, 2025, Amare, The Hague
  • March 6th – 7th, 2025 Stadsschouwburg, Utrecht
  • March 11th – 12th, 2025 Parkstad Limburg Theaters, Heerlen
  • March 15th – 16th, 2025 Theater Rotterdam, Rotterdam
  • March 19th, 2025 Parktheater, Eindhoven
  • March 26th – 29th, 2025 Internationaal Theater, Amsterdam
  • April 8th – 11th, 2025 Tanssin Talo, Helsinki
  • June 18th – 20th, 2025 Les Théâtres de la Ville de Luxembourg, Luxembourg
  • June 25th – 27th, 2025 Montpellier Danse, Montpellier
  • July 4th – 6th, 2025 Deutsche Oper Berlin, Berlin
  • August 22nd – 24th, 2025 Edinburgh International Festival, Edinburgh

Duration: unknown

THE Urgent Dance Trilogy

© Rahi Rezvani

Pite and McBurney were transfixed when they saw each other’s work. But it was the ecological theme with which they found common cause. “Straight away we decided we wanted to make something centred on the climate crisis,” says Pite. “Which is not,” stresses McBurney, “separable from human crisis. We are all inescapably part of this living world.”

Sanjoy Roy (The Guardian)

We are living in an age of extinction. Can we ever hope to give a name to what we are losing? What does it mean to bear witness to a violence in which we are both perpetrator and victim? 

Across continents, choreographer Crystal Pite and Complicité Artistic Director Simon McBurney have exchanged ideas reflecting on their fears and cautious hopes for our age. Their process has drawn on a rich and surprising array of source materials: from the sound of ice caps melting to the clarion calls of climate change deniers, from scholastic lectures on the neuroscience of the brain to the cacophonous clatter of Instagram influencers.

Over a span of four years, the two world-renowned artists have created three works together for NDT 1, each developed in response to the last. Figures in Extinction [1.0] confronts us with everything that is dying on our planet, while [2.0] is a searing examination of our need for connection in a separated world. The third and final work will continue this cross-disciplinary exchange, making its world premiere in the UK in February 2025, and will offer a spark in the darkness as to where we – collectively, spiritually, and imaginatively – might go next.

Categories
UK/Ireland France

Oona Doherty – Specky Clark

February 6th – 7th, 2025 Kunstencentrum VIERNULVIER, Ghent
March 7th, 2025 Festspielhaus St. Pölten, St. Pölten
April 24th – 25th, 2025 Lieu Unique, Nantes
May 9th – 10th, 2025 Sadler’s Wells, London
May 14th – 17th, 2025 Dublin Dance Festival, Dublin
June 24th – 27th, 2025 Théâtre de la Ville, Paris
120 minutes

Meat, Sorrow and Irish Sounds

© Luca Truffarelli

Part fiction, part biographical, all elements are overlapping, and it will become difficult to determine what’s myth and what’s reality. 

It goes back to a time when families worked in the abattoirs of Belfast. Pigs in the garden of New lodge.

There’s something in the meat of me, bloodline, there is a pink fleshy vulnerability to me, to dancing, there is a violence in me.

This new show will follow the story of Oona’s Great Great Grandfather Specky Clark and his arrival in Belfast.

For this piece which will be unfolding in a series of theatrical images, Oona Doherty will collaborate with many faithful and new partners. The production features music from Irish band Lankum, Gavino Murgia and David Holmes & Raven Violet. Maxime Jerry Fraisse is sound designer, Irish playwright Enda Walsh is dramaturg, Sabine Dargent is set designer, Darius Dolatyari-Dolatdoust is costume designer and long-time collaborator John Gunning is lighting designer. The piece will be performed by an international cast of 9 dancers.

Categories
Americas France

Malandain Ballet Biarritz – The Seasons

February 5th – 15th, 2025 Le 13eme Art, Paris
February 25th, 2025 Quai 9, Lanester
February 27th – 28th, 2025 Théâtre Impérial, Compiègne

March 11th – 12th, 2025 Les Théâtres, Aix-en-Provence
April 26th – 27th, 2025 Detroit Opera, Detroit
April 29th, 2025 Wharton Center for Performing Arts, East Lansing
May 2nd – 3rd, 2025 Zellerbach Theater, Philadelphia
May 7th, 2025 Byham Theater, Pittsburgh
May 20th – 23rd, 2025 Gare du Midi, Biarritz
60 minutes

When Vivaldi Meets Guido

© Stephane Bellocq

The dance carries everything, from the joy of spring to the passions of summer…just a splendid invitation to meditate on the beauty of life and the passage of time.

Ariane Bavelier (Le Figaro)

Malandain Ballet Biarritz has become one of the most important companies of the French choreographic landscape. This original production combines Antonio Vivaldi’s Four Seasons and the little-known works of his contemporary and compatriot Giovanni Antonio Guido. Guido’s Seasons awakens memories of belle danse (baroque dance) in the 17th century, which emerged from the ideal of governing one’s body and mind, and moving with grace, accuracy, and lightness. With Vivaldi’s Four Seasons, dancers are moved by a more natural, more human form of dance.

Categories
Mediterranea France

Samaa Wakim & Samar Haddad King – Losing It

January 23rd – 24th, 2025 Théâtre Orléans, Orléans
January 31st, 2025 Scène Nationale Aubusson, Aubusson
February 4th, 2025 L’empreinte, Tulle
February 7th – 12th, 2025 Théâtre de la Bastille, Paris
March 28th – 29th, 2025 Points communs, Cergy
April 1st – 2nd, 2025 La Coursive, La Rochelle
April 8th, 2025 Scène nationale du Sud-Aquitain, Saint-Jean-de-Luz
April 11th – 12th, 2025 TNC, Barcelona
April 15th – 16th, 2025 Théâtre Auditorium de Poitiers, Poitiers
April 18th, 2025 Le Moulin du Roc, Niort
40 minutes

Between Fear and Hope

© Mohab Mohamed

What if you grew up in a war zone? How does that impact your identity?

“Can you still hear the bombs? I can hear them.”

What if you grew up in a war zone? How do you cope as a child when you are exposed to political conflict on a daily basis?

The choreographer and performer Samaa Wakim grew up in the occupied Palestinian territories. During this solo dance performance, she asks herself how these experiences impact her identity. Through movement and sound, she remembers her youth and the imaginary world she created in order to survive. Driven by her own sounds and live music by Samar Haddad King, she goes back and forth between fear and hope, between sounds that used to scare her and sounds that used to bring her comfort.

Categories
France

Emmanuel Eggermont – About Love and Death

January 20th – 21st, 2025 Théâtre de la Cité Internationale, Paris
March 12th – 13th, 2025 Le Gymnase CDCN de Roubaix, Roubaix
April 2nd – 3rd, 2025 CCAM, Vandoeuvre
April 23rd – 24th, 2025 Pôle Sud CDCN Strasbourg, Strasbourg
75 minutes

Elegy for Raimund Hoghe

© Jihyé Jung

As a true danced elegy, this piece questions lineage in the choreographic field through the prism of over fifteen years of collaboration with the German choreographer Raimund Hoghe, who passed away in 2021. Aiming to shine a light on how this generation of creators continues to influence us, Emmanuel Eggermont revisits fragments of pieces woven from moments suspended in time, in which love and death act in the background, articulating them with other personal materials in order to imagine new writings.

In About Love and Death, it is both the iconographic and musical palette of Raimund Hoghe and the living kinesthesia of the imagination of Emmanuel Eggermont that are expressed. From fantasy of a fantasized fauna to the comical elegance of a Gene Kelly dancing in the rain by way of the syncopated energy of a Josephine Baker, this danced medley is accompanied by new sequences that multiply evocations, leading up to the incarnation of the ghost of Raimund Hoghe himself.

The ramified writing of this elegy-toned collection reveals an entire panel of references offering to all audiences, particularly those experiencing it for the first time, a path to access this unique and necessary universe in the panorama of the history of dance.

Categories
Mediterranea France

Emma Dante – Il tango delle capinere

December 17th – 20th, 2024 Théâtre Silvia Monfort, Paris
February 7th – 8th, 2025 Liège Festival, Liège
February 9th, 2025 Salle Stotzem, Dison

March 5th, 2025 Gugliemi Theater, Massa
March 7th, 2025 Teatro Manzoni, Manzoni

April 1st – 6th, 2025 Franco Parenti Theatre, Milan
April 16th, 2025 Teatrodante Carlo Monni, Campi Bisenzio
April 23rd – 24th, 2025 Nest Théâtre, Thionville
May 15th – 24th, 2025 Théâtre National Populaire, Villeurbanne
60 minutes

A Love Story of
New Year’s Eve

© Rosellina Garbo

An old lady rummages through a trunk. She takes out a bottle of pills, a wedding veil, a remote control, lots of colored balloons… From another trunk comes the music of a music box. An old man appears. He is wearing an old, worn-out formal suit. The man looks at the woman and smiles. He immediately reaches her. He hugs her. The woman rests her head on his shoulder. He caresses her. She holds him tight so as not to lose her balance. He supports her. They dance. He takes a pocket watch out of his pocket: minus five… minus four… minus three… minus two… minus one… and at the stroke of midnight he sets off a firecracker. They kiss. He throws a handful of confetti into the air. The party begins. Happy New Year, my love! He and she are now sixteen. In bathing suits they promise each other eternal love. To the tune of old songs they celebrate the arrival of the new year by dancing their love story backwards. 

Il tango delle capinere is the deepening of a study, Ballarini, which belonged to la trilogia degli occhiali. It is the composition of a mosaic of memories that makes bearable the loneliness of those who unfortunately outlive the other.

Categories
France

Matthew Bourne – Swan Lake

December 2nd, 2024 – January 26th, 2025 Sadler’s Wells, London
February 6th – 15th, 2025 Birmingham Hippodrome, Birmingham

February 18th – 22nd, 2025 Theatre Royal, Nottingham
February 25th – March 1st, 2025 Liverpool Empire, Liverpool
October 9th – 26th, 2025 La Seine Musicale, Boulogne-Billancourt
2 hours 20 minutes incl. one 20-minute interval

The 30th Anniversary of Bourne’s Genre-defining Work

© Johan Persson

Matthew Bourne’s Swan Lake returns for its 30th anniversary with a 2024/25 UK tour. This audacious reinvention of Tchaikovsky’s masterpiece caused a sensation when it premiered almost 30 years ago and has since become the most successful dance theatre production of all time. In celebration of that ongoing impact, Swan Lake will take flight once more in this major revival for the next generation, visiting 19 venues over 29 weeks.

Thrilling, bold, witty and emotive, this genre-defining event is still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turning tradition on its head.

First staged at Sadler’s Wells in London in 1995, Matthew Bourne’s Swan Lake took the dance theatre world by storm becoming the longest running full-length dance classic in the West End and on Broadway. It has since been performed across the globe, collecting over thirty international accolades including the Olivier Award for Best New Dance Production and three Tony Awards for Best Director of a Musical, Best Choreography and Best Costume Design.

Matthew Bourne said, “As our swans take flight once more in this major revival, I’m full of anticipation for the challenges it will bring for our next generation of dancers and the wonder that it will bring to audiences who will experience it for the very first time.”

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