September 25th – 29th, 2024 Théâtre du Rond-Point, Paris
October 3rd – 4th, 2024 HAU – Hebbel am Ufer, Berlin
October 19th – 20th, 2024 Staatstheater Mainz, Mainz
October 31st – November 2nd, 2024 VIDY, Lausanne
November 5th, 2024 L’onde – Théâtre et Center d’Art, Vélizy
November 12th, 2024 teatr polski (Festival Prapremier), Bydgoszcz
November 21st, 2024 Temporada Alta, Girona
March 19th – 23rd, 2025 dansa metropolitana, Barcelona
March 26th – 29th, 2025 Les Célestins, Lyon
90 minutes
The Third Chapter of a Poignant Lifelong Project
Bringing together Bach and Miley Cyrus, she creates with “Kill Me” a complete and radical work, sometimes unsettling, sometimes subversive, but always impactful.
Olivier Frégaville-Gratian d’Amore
Kill me (2024) is the continuation of Love me (2022) and Fuck me (2020), in turn it is part of the project “ Remember to live ”, in which I intend to present different versions of works until the day of my death.
Entering into the cliché of the midlife crisis, I began to film everything I did: with my heart open 24 hours a day, I recorded everything.
Until one day I collapsed, I was given a psychiatric diagnosis and I decided to make my next piece out of it. I called on four dancers with mental disorders and Nijinsky, to make a piece that talks about madness for love.
But let’s say that the topic is about mental health so that it enters the inclusive agenda of the art market.
Because that is my punishment, having to make works that sell and thus stay alive in the world (of theater).